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 CHRIS BILES 

At That Point

originally published by Bourgeon Online

You are at that point:

"A moment that changes

all moments that follow."

You face a door

painted

onto the brick wall 

of an alleyway.

But on the other side

is not the room that rests

behind the brick.

Instead: a void

an abyss

darkness of unknown depth.

 

You were once told

by a ghost

her lips in your hair

words tickling your ear

to, “turn your head to the living.”

But leaning forward

you raise your arm

finger tips touch

cool, wet black paint: the door.

In your ear now again

her whisper

"Leave us here. Turn your head to the living."

 

The strands of your hair

caught between her lips

pull away

              then fall back

                                  released.

 

Her breath

no longer in your ear

her whispers

receding back to memory.

Fingers seemingly stuck

draw back

leave the painted wall – 

                                         fall

taking your hand

heavy

down to your side

so heavy it brings you to your knees

broken alleyway glass

piercing through your jeans.

You cover your weeping eyes

                                        push against them

                                        with heels of trembling hands.

 

When next you look

tears spent

only the bricks remain.

 

You are at that point:

"A moment that changes

all moments that follow."

You are at that point:

shapeless space between

the beginning of a story and knowing

that a new story has begun.

You are at that point,

so close your eyes

and turn your face

to the sky.

Walk It Off

originally published by Bourgeon Online

Day, night, twilight, dusk, dawn:
each brings its own emotion
feeding the others
adding fuel 

through confusion
until the power overwhelms

so walk it off

in these mountains that could rim the world

 

Walk it off in these mountains

tracing the ridgelines step by step
balancing on the edges of knives
walk down those blades

walk with the pain:
the only choice
because you put yourself here

reeling in it
with doubt
with hate
with anger


But life is too full of regret
so why add your own destruction?

 

Why not listen to the rocks?
They’ve been sitting

in never-ending

meditation
attempting to understand 

the momentary caresses 

of the clouds

 

ask them
how to fill a lifetime 
with the feeling
of fleeting fluttering wings 

and wind against their cheeks

 

ask them
about acceptance

as the diaphanous face of daylight's moon
becomes one

with the scattered clouds
of this melancholy morning

 

We are only what the world makes us

so let it all in
walk it off

in these mountains
carry on

Help

Don’t be afraid to ask for a crutch

when your foot falls off, and you lose

the will to move forward.

You can't always do it on your own.

Like the moon can't shine

without the sun, can't change

without the movement of the earth

in addition to its own movement,

you can't do it on your own.

 

And that cloud you breathe in the cold air

can't form without you. You can create

substance. You are not invisible.

Learn a lesson from your shadow:

you cast one, wouldn’t be real

without you, wouldn’t be real

if not for the light that must somehow

be reaching you. Don’t be afraid

to hold the hand of another.

Don’t be afraid to ask for help.

 

After all,

often times the shoulders you wrap

your arm around for support only realize

their own strength when that weight

of another is there to hold.

Poet's Description for "Walk It Off" 

​

This poem was originally written in the weeks and months following the sudden deaths of a few friends. It reflects on the ways that grief can overwhelm; on the responding need to move beneath the sky, to sweat, to see clouds of dirt billow up from your feet; on the fact that resilience through grief is defined by both patience for yourself and acceptance of the fact that you and your life will never be the same, but that's okay. We carry on, not ignoring what has changed us. We carry on to prevent our own destruction. We carry on feeling, listening, and eventually accepting.

Written by:        Chris Biles

Painting:        The Farm in Snow (Terry Harrison)

CHRIS BILES

​

Chris Biles currently lives and works in Washington D.C. She enjoys playing with the light and the dark, and losing herself in music, anything outside, and some words here and there. She is published by Neon Door, Bourgeon Online, Exeter Publishing, Evening Street Review, Haunted Waters Press, Yellow Arrow Publishing, Signatures Magazine, FleasOnTheDog, and others.

​

Website: chrisbiles03.com

Instagram: @marks.in.the.sand

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